We make brand films with the craft of cinema.
A face you believe, held in close-up.
Skin, eyes, breath, and a lens that stays put. Most AI work cuts away before you can look at anybody. Ours does not have to.
Or no face at all.
Stylised animation, built in the same pipeline with the same continuity discipline. The register changes; the process does not.
And the thing on the table, lit like a set.
Product at commercial standard — one light doing the work, powder caught mid-air, no compromise on the hero object.
The tandem is not two. It's three.
Two people in one harness, and the machine between them. It is never drawn on the mark — only the gap where it works.
Couriers of Fortune
Two delivery couriers fly across the world to collect a fake spam-mail inheritance — and thanks to one GPS autocorrect, accidentally rob a drug cartel instead.
Five episodes, written, directed, produced and cut by the two of us. We play the two leads. It is finished, and 2 episodes are out — this site shows nothing we have not actually made.
Spec Ad / Teaser
One idea cut like a trailer. Written, generated, scored and graded by the same two people who made the series.
Brand Series
Three to five connected episodes with recurring characters and a world of your own. The 2–3 minute pilot is episode one, not a separate purchase.
Agencies
White-label production under your name.
Projects typically start at five figures.
Start a conversationA pipeline, not a prompt box.
7 minutes of cinema. Weeks, not months.
Script
Structure first, then a numbered jokes database so every beat is accounted for and nothing repeats.
World bible
Characters, wardrobe, locations and lenses locked in writing, so episode five still looks like episode one.
Generation
Shot by shot against a continuity log and a consistency tracker. Takes get rejected here, the same as on a set.
Edit
Cut, sound and colour in DaVinci Resolve, with custom plugins we wrote for voice and dubbing.
The tooling is ours and stays ours — it is how the work gets made, not something we sell.
The rest follow on YouTube in English and Russian. Every frame on this site comes from work we have actually made.
Jury — Best Series < 10 min., Jury — Best Comedy, Audience — Most Fun. Announced 2026. Further laurels appear here when decisions land, and not a day before.
When someone writes about the work we will quote them here, with a link. The press kit is on the series page.
Two in one harness.
We wrote it, directed it, produced it — and we play the two leads in it. No crew behind us, no agency above us.
Karen Bagdasarov
DIRECTOR · POSTCame out of video production and never left the timeline. Edit, sound and colour are all his hands.
Vyacheslav Stolovitskiy
WRITER · PRODUCERBuilt online businesses before he built this pipeline. Writes the scripts and keeps the machine on schedule.
Tell us the story you need told.
We publish our own work openly. Client work stays private unless you tell us otherwise.